· Deller, R. A. (2016). Star image, celebrity reality television and the fame cycle. Celebrity Studies.
· Driessens, O. (n.d.). Conceptualizing celebritization: a product of mediatization, personalization and commodification. 1‑13.
· Driessens, O. (2012). The celebritization of society and culture: Understanding the structural dynamics of celebrity culture. International Journal of Cultural Studies, 641‑657.
· Franck, G. (1989). Die neue Währung: Aufmerksamkeit. Zum Einfluß der Hochtechnik auf Zeit und Geld. Merkur, 688‑701.
· Franck, G. (2002). The scientific economy of attention: a novel approach to the collective rationality of science. Scient metrics, 3‑26.
· Hall, S. (1973). Encoding and Decoding in the Television Discourse. Birmingham: Centre for Contemporary Cultural Studies, University of Birmingham.
· Krieken, R. v. (2019). Celebrity Society; The Struggle for Attention. New York: Routledge.
· Omessal, C. C; Ikoro, E. A. (2015). Reality Television or Television Reality Shows: Forms, Genres and Modes. Global Educational Research Journal, 383‑388.
· Rafique, S; Hassan Khan, M; Bilal, H. (2022). A Critical Analysis of Pop Culture and Media. Global Regional Review, 173‑184.
· Tarde, G. (1969). Opinion and conversation. In T. N. Clark (Ed.), Tarde on Communication and Social Influence: Selected Papers (pp. 297‑318). Chicago: University of Chicago.
· Zeilsler, A. (2008). Feminism And Pop Culture. Berkeley: Seal Press.
Abidin, K. (2019). Internet celebrities: Understanding online fame (E. Shahghasemi, Trans.). Tehran: Sureh Mehr Publications. [In Persian]
“From the appearance of the ‘Is It Real or Is It Cake?’ boy on IRIB to harsh criticism from some celebrities, including Bahareh Afshari and Sardar Azmoun.” (2023, December 23). Retrieved February 4, 2025, from Ensaf News:
https://B2n.ir/h27471 [In Persian]
Asa Berger, A. (2020). Media and communication research methods: An introduction to qualitative and quantitative approaches (E. Shahghasemi & M. Niroo, Trans.). Tehran: Jihad Daneshgahi Publishing Organization. [In Persian]
Stever, G. (2020). The psychology of fame (E. Shahghasemi, Trans.). Tehran: Sureh Mehr Publications. [In Persian]
Asadi, M. (2014). Elites and television: A practical study in media management. Tehran: Donya-e Eqtesad Publications. [In Persian]
Bennett, A. (2014). Culture and everyday life (L. Javaheshani & H. Chavoshian, Trans.). Tehran: Akhtaran Publishing. [In Persian]
Bahadari, M. (2023, January 13). From the return of “Paytakht” to Mohammad Reza Golzar: IRIB’s welcome to famous celebrities / Television’s return to the critics’ track. Retrieved February 4, 2025, from Khabar Online: khabaronline.ir/xkPPZ [In Persian]
Bichranloo, A., Yasini, S., & Jalalipour, B. (2023). Formal and semantic differences in the representation of female television presenters on IRIB television and Instagram. Women in Culture and Art Quarterly, 353–380. [In Persian]
Perry, R. (2014). A history of media: From Gilgamesh to Google (B. Tourani, Trans.). Tehran: Iran Publications. [In Persian]
Postman, N. (2018). Amusing ourselves to death: Public discourse in the age of show business (S. Tabatabaei, Trans.). Qom: Ettelaat Publishing. [In Persian]
“Khandevaneh and Dorahami, the most-watched television programs.” (2017, April 8). Retrieved February 4, 2025, from Donya-e Eqtesad: magiran.com/n3538319 [In Persian]
Khayami, A., Eskandari, A., & Khalghati, M. (2019). Reconsidering celebrity culture and national media interaction with public figures. Scientific Quarterly of Visual and Audio Media, 7–32. [In Persian]
Douglas, S. J., & McDonnell, M. A. (2022). The history of fame: Scandal! Heroes! Fans! (E. Shahghasemi & Z. Majdizadeh, Trans.). Tehran: Islamic Culture and Art Research Center. [In Persian]
Shahghasemi, E. (2022). The field of fame in Iran. Tehran: Islamic Culture and Art Research Center. [In Persian]
Taleghani, D. (2021). The Iranian celebrity. Qom: Maaref Publishing. [In Persian]
Fazaeli, M. (2024, April 8).
The head of IRIB says that Nowruz programs have experienced an 8% increase in audience; it seems that there is a direct relationship between distancing from transformative ideas and attracting audiences. Retrieved February 4, 2025, from Farhikhtegan:
https://B2n.ir/j96759 [In Persian]
Fahimi Siuki, M., & Pouya, A. (2020). News management in using the capacity of celebrities to increase trust in national media news. Interdisciplinary Quarterly of Communication and Media Studies, 41–70. [In Persian]
Ghanbari Baghestan, A., & Shams, M. (2021). A critical analysis of the program Dorahami from the perspective of celebrity orientation and yellow dialogue. Scientific Quarterly of Sociology of Culture and Art, 53–75. [In Persian]
Ghanbari Baghestan, A., & Momeni, A. (2022). Critical discourse analysis of the representation of celebrities on IRIB: A case study of the 20:30 news reports. Scientific Quarterly of Sociology of Culture and Art, 102–124. [In Persian]
Kapoor, A. (2019). Celebrity philanthropy: The ideology of global giving (E. Shahghasemi, Trans.). Tehran: Sureh Mehr Publications. [In Persian]
Kaji, H. (2013). Don Ihde’s philosophy of technology. Tehran: Hermes Publishing. [In Persian]
Cazeneuve, J. (2015). The ubiquitous society: An introduction to the sociology of communication (B. Sarookhani & M. Mohseni, Trans.). Qom: Ettelaat Publishing. [In Persian]
Christians, C. G. (2010). Technology and the three-dimensional theory of media. In S. M. Hoover & N. Lundby (Eds.), Rethinking media, religion, and culture (M. Arianiania, Trans., pp. 99–111). Tehran: Soroush Publications. [In Persian]
Kashafi-Nia, V., & Badinfekr, M. (2024). Assessing public attitudes toward celebrity and fan culture in Iran. Tehran: Research Center of the Islamic Consultative Assembly. [In Persian]
Cashmore, E. (2017). Celebrity culture (E. Shahghasemi, Trans.). Tehran: Institute for Culture, Art and Communications. [In Persian]
Kowsari, M. (2023). The performance of celebrities in the autumn 2022 protests: Policies and regulations. Virtual Quarterly of Celebrity Culture, 14–20. [In Persian]
Kowsari, M., & Shams, M. (2022). Consequences and manifestations of the “party” theme in the performance of celebrities in Sham-e Irani 2. Quarterly of Communication-Culture Studies, 201–227. [In Persian]
Lacey, N. (2017). Key concepts in media theory (Y. Nourbakhsh, Trans.). Tehran: Elmi va Farhangi Publishing. [In Persian]
McQuail, D. (2009). McQuail’s introduction to mass communication theory (P. Ejlali, Trans.). Tehran: Office of Media Studies and Development. [In Persian]
Montazerghaem, M. (2022). An introduction to television studies. Tehran: SAMT Publications. [In Persian]
Momeni, A. (forthcoming). Mapping research articles in celebrity and fandom studies in Iran. In A critical anthology of celebrity and fandom studies in Iran. Tehran: Islamic Culture and Art Research Center. [In Persian]
Momeni, A., & Bichranloo, A. (2023). Celebrity on the minaret: A critical study of the Instagram activities of clerical micro-celebrities. Tehran: Islamic Culture and Art Research Center. [In Persian]